Alan K. Stout is a music journalist who helped cover rock and pop music for The Times Leader and The Weekender for more than 20 years. He was voted NEPA's "Favorite Newspaper Columnist' seven times and earned a Keystone Press Award for Excellence in Journalism for his music coverage. Though his interviews include conversations with Billy Joel, Steven Tyler, David Bowie, Don Henley and Eddie Van Halen, he's also spent much of his career in music journalism focusing on local talent. He was the founder of the former "Concert For A Cause" and "Weekender/Mountaingrown Original Music Series." His radio show, "Music On The Menu Live," features some of the best music from regional artists and airs every Sunday from 8-9 p.m. Alan can be reached at email@example.com
A pink ribbon for SORAYA
by Alan Stout,posted Oct 26 2012 11:29PM
By ALAN K. STOUT
102.3-FM, The Mountain
It was February of 1996, and as the music columnist and music critic at The Times Leader, I was off to cover another event. At that point in my career, I'd already been reviewing shows for about four years, and even prior to that, going back to my early teens, I'd been to a lot of concerts.
This night, however, would not be typical. On tap on this particular winter evening was Natalie Merchant at the F.M. Kirby Center in Wilkes-Barre. I showed up, as always, with a notebook and pen and a deadline to file my story. And though I was a pretty seasoned writer at that point and was comfortable with the work at hand, this was to be one of those special nights when the unexpected happened.
It was one of those nights when the opening act - an artist that I had never heard of before - left me awestruck.
Her name was Soraya. She was on Island Records. And obviously by landing a spot on the Natalie Merchant tour, things were starting to go her way. Her songs were captivating. Her voice was beautiful. She was charismatic, yet in a subtle way, and her entire performance was completely engaging.
The next day, I was on the phone with Island Records, asking that they send me a copy of her CD, "On Nights Like This," and her bio. I wanted to write about the record and, hopefully, turn some more people on to an up and coming artist that I thought deserved some attention. And that's exactly what I did.
The album, like her set at The Kirby, was fabulous. I gave it one of the best reviews I'd ever written. I thought, for sure, that she would soon become a star, especially considering this was around the time of the "Lilith Fair" and what was really a golden era of music for female singer/songwriters.
From my review:
"A dazzling-yet-grounded performer with a smile that could stop rush-hour traffic, Soraya's performance was refreshing, inspiring and utterly captivating ... The album is a breezy collection of romantic, acoustic-based ballads that celebrate life's joys, questions its dilemmas and mourns it sorrows .... Her stirring music deserves even more attention.'
Still, though she did later have some commercial success, most of you have probably never heard of Soraya. Adding to her many talents, she was also a bilingual artist, and thus most of her success came on the Latin charts. She also later won a Latin Grammy for "Best Album by a Singer-Songwriter."
I admit I didn't know any of that until recently. Back in '96, I simply loved her show at The Kirby, loved her album, told the readers of our newspaper about her music and - like people often do when they think they've found something special - I played it for some friends. I also remember talking to a colleague who was the program director of an adultcontemporaryradiostation, and him telling me how he too was pretty blown away by her performance in Wilkes-Barre, and that he too thought we'd be hearing a lot more from her in years to come.
Again, however, that never really happened. And that doesn't surprise me. Big record labels often seem to have a knack for signing great artists, but then never really helping them break through to a wider audience. She was also signed around the time of the Polygram/Seagrams sale, when what is now Universal Music gobbled up most of the music industry and, unfortunately, didn't properly develop some of their best talent. And again, in fairness, she did later go on to do very well in other parts of the world.
Me? I lost track of Soraya. But I always kept that wonderful CD of hers, and one day recently, I decided to Google her to see what she was up to. And I was stunned at what I learned.
Soraya died in 2006 of breast cancer. She was 37 years old.
The same illness had also claimed her mother, grandmother and aunt.
Being that this is national "Breast Cancer Awareness Month," I thought would honor her memory by sharing her story and posting my favorite song from that fine album that I wrote about 16 years ago. Breast cancer has also touched my family, and it has touched the lives of my friends and co-workers. Some have survived it. Some have not.
This blog is my pink ribbon for all of them, and to Soraya. Please listen to this piece of music that I've posted here, and know that the artist that wrote it and sang it - like so many of the people that you may have known in your own lives - should still be with us. Please support theSusan B. Komen Foundation, and remind the women in your lives to go for their yearly exams.
Soraya left us with the gift of her songs. And though she's now gone, we can still, in a way, give her something back. We can still listen to those songs, and while doing so, also try to end the illness that took her life.